In a surprising turn of events, Surgent Studios, known for their venture into Afrofuturism with the game “Tales of Kenzera: ZAU,” is set to forge a new path into the horror genre. Their partnership with Pocketpair, the studio behind the popular game Palworld, marks a significant moment for both developers. By launching a publishing arm, Pocketpair not only demonstrates their ambition to expand into new territories but also provides Surgent with the platform to explore a new and daring project: an untitled horror game. This collaboration signals a willingness to innovate amidst the challenges faced by both studios.
What is particularly intriguing about this upcoming horror title is its thematic focus. Unlike the previously teased “Project Uso,” which was touted as a multifaceted blend of role-playing and beat ’em up mechanics highlighting the experience of fatherhood, this new project turns its attention to the entertainment industry itself. This pivot raises questions about how horror can intersect with contemporary issues in media, particularly in an industry often criticized for its portrayal of sensitive subjects. Abubakar Salim, the founder of Surgent Studios, emphasized their motivation to reflect on unspoken patterns within this realm, hinting at a commentary on the nuances of the entertainment business.
The need for this new direction comes in the wake of Surgent Studios facing significant hurdles. Following the moderately successful reception of “Tales of Kenzera,” which fell short of sales expectations, the studio was forced to make tough decisions including staff layoffs and the suspension of their entire game division. This recent turmoil puts the stakes higher for Surgent’s forthcoming project, as they not only strive for creative vindication but also for financial stability. Their new horror game emerges as a crucial undertaking, serving as a potential bridge connecting their past successes and future ambitions.
Moreover, Pocketpair’s involvement adds an extra layer of complexity. Currently embroiled in a legal dispute with Nintendo over patent infringement — a matter stemming from similarities with the Pokémon franchise that have fueled ongoing scrutiny — the studio faces its share of industry challenges. This strained environment raises the question of whether the horror project will reflect the broader stresses and unseen realities of the gaming world. Salim’s remarks on “taking risks” are particularly relevant here, suggesting that both studios may be striving to redefine not only their creative outputs but their reputations within a turbulent industry landscape.
Interestingly, Salim’s previous discussions on racism in gaming hint that the horror game might also touch on critical social issues, weaving a narrative that is both entertaining and thought-provoking. This focus could set it apart from other titles in the genre, which often rely heavily on shock value while neglecting deeper themes. If executed effectively, this project has the potential to engage players on multiple levels, sparking discussions around race, identity, and moral dilemmas faced behind the glitz of the entertainment industry.
This ambitious collaboration between Surgent Studios and Pocketpair opens up exciting possibilities for the horror genre within gaming. As they navigate their respective challenges, both studios have the opportunity to create a unique and resonant experience that reflects pressing cultural narratives, leaving players eagerly awaiting what lies ahead.